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| Real Name: Angelina Jolie (Angelina Jolie Voight) | ||
| Birthday: June 4, 1975 | ||
| Birth Place: Los Angeles, California | ||
| Eye Color: Blue | ||
| Hair Color: Brown | ||
| Height: 5'7" | ||
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Books, Movies, Posters, DVD's & Memorabilia of Angelina Jolie | ||
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StarLink Blog: Angelina Jolie, Brad Pitt To Confirm Twins On The Way....
An exceedingly beautiful, talented performer, Jolie broke on to the scene in the mid-1990s, quickly gaining a reputation for both her on-screen work as well as her outrageous off-camera antics. Interestingly however, within a decade, Jolie shed her reckless image and successfully managed to re-invent herself – not only as an artist, but also as a celebrity humanitarian of the highest order. In the mid-2000s, Jolie’s profile exploded into another realm when she became romantically involved with the sexiest man alive, Brad Pitt – before and after he and his then wife, Jennifer Aniston called it quits. After the divorce, Pitt and Jolie slowly came out as a couple to the delight of the world’s media. Now one half of the “most gorgeous couple on earth,” Jolie used her high profile and celebrity status to bring attention to a number of worthwhile causes – winning the grudging respect of even the most cynical of her critics. The daughter of actors Jon Voight and Marcheline Bertrand, Angelina Jolie (Voight) was born on Jun. 4, 1975 in Los Angeles, CA. Like her older brother by two years, director James Haven (Voight,) Jolie seemed destined for a career in the arts. At the age of 11, she began studying at the famed Lee Strasberg Theater Institute in NYC. Even before starting her formal training, Jolie made her debut as a tyke in a bit part in the Hal Ashby-directed comedy "Lookin' to Get Out" (filmed in 1980; released 1982). While reviewers savaged the movie (which was co-scripted and co-produced by her father, Jon), its littlest thespian fortunately emerged unscathed. The experience briefly turned Angelina off of show business – she even considered going into funeral directing, but decided against it. With two photogenic parents, it came as no surprise that Jolie inherited gorgeous good looks – most striking of all were lush lips which made her a standout from all other young girls. Her comeliness allowed her to segue back into show business, first as a professional model, and later, as an actress in music videos. In addition to appearing in five student films directed by her older brother, Jolie became a member of the Los Angeles Metropolitan Theatre Company, where she honed her craft alongside such veteran players as Holly Hunter, Ed Harris and Amy Madigan. Jolie made her return to the screen playing a heroic human-machine in the above-average direct-to-video sci-fi action film, "Cyborg II: Glass Shadows" (1993), but the entry went virtually unnoticed by critics. Luckily, her flashy role as Kate in the cyber-thriller "Hackers" (1995) gained her more attention and better notices. Paired with rising British actor Jonny Lee Miller, Jolie played a teen computer whiz battling an evil genius. “Hackers” fizzled at the box office, but the romantic leads sizzled – both on-screen and off. Jolie and Miller’s chemistry eventually culminated in their wedding in 1996. Though the two divorced just three years later, Jolie and Miller would remain close friends.
More movie work followed for Jolie, initially in small-scale character-driven indies. In an indifferently received adaptation of Joyce Carol Oates' novel "Foxfire" (1996), Jolie played a mysterious outsider named Legs Sadovsky –described in Variety as "sort of a female James Dean" – who helps some other teenaged girls stand up for their rights. In Renee Taylor and Joseph Bologna's romantic comedy-drama "Love Is All There Is" (1996), Jolie displayed a humorous and innocent light as half of a pair of lovers divided by their families' feud. That same year, the actress appeared in the suspense drama "Without Evidence,” playing a drug-addicted teen, and "Mojave Moon,” opposite Danny Aiello. Next came "Playing God" (1997), in which Jolie essayed a woman torn between her gangster boyfriend (Timothy Hutton) and a discredited doctor (David Duchovny) in his employment. While the films remained largely unseen by most moviegoers, Jolie received strong notices for each of these projects. Unlike many feature stars, Jolie showed no compunction about working on the small screen. Case in point: during the late 1990s, the actress appeared in a handful of exceptional made-for-TV productions that effectively allowed her to strut her stuff on her own terms. In 1997, Jolie received top notices for her co-starring turn alongside Annabeth Gish and Dana Delaney as Texas pioneers in the 1997 CBS historical miniseries, "True Women." Jolie then brought a fiery passion to her portrayal of Cornelia Wallace, the politician's first wife, in the biographical miniseries "George Wallace" (TNT, 1997). But it was her dazzling turn as another real-life figure – the late supermodel Gia Carangi – that shot Jolie into the public consciousness. Jolie’s brave, sensitive performance as the drug-addicted, AIDS-stricken title character in HBO's excellent biopic "Gia" (1998) brought the beauty widespread critical acclaim. For her efforts, Jolie was twice Emmy-nominated in the supporting category for "George Wallace" and in the leading category for "Gia" (which she ended up losing to Ellen Barkin). Fortunately, Jolie received good consolation for her Emmy losses by picking up two back-to-back Golden Globe Awards for her performances.
But public respect would not come immediately nor easily for Jolie, even after winning Hollywood’s highest honor. Far more interested in her girl-gone-wild ways, the tabloids tended to dismiss her talents in favor of her more unorthodox personal life. Among the gossip fodder were her exotic tattoos, extensive collection of knives and her past “cutting” experiences, her provocative revelations and her intimations of a profoundly edgy sex life. The tabloids also made much hay out of Jolie’s close relationship with her look-alike brother, James Haven – a bond which raised many eyebrows after Jolie planted a passionate kiss on his lips in plain view of drooling paparazzi. It did not help matters when she declared she was “in love with her brother” upon accepting the Oscar. Media saturation would boil over, however, in mid 2000, when Jolie became the fifth wife of her “Pushing Tin” co-star – the eccentric and older actor Billy Bob Thornton. A match made in tabloid heaven, the couple's constant declarations of love and erotic devotion to each other was capped by the wacky revelation that the two wore vials of one another's blood around each other’s necks and had sex in the car on the way to the “Pushing Tin” premiere. Her off-screen quirks notwithstanding, the actress continued portraying tough young women on the big screen. In the flashy but unfulfilling car heist thriller "Gone in 60 Seconds" (2000), Jolie crackled in scenes even opposite notorious scene-stealing star, Nicolas Cage. Jolie’s next project was as the flesh-and-blood embodiment of the titular adventuress in "Lara Croft: Tomb Raider" (2001). Based on the wildly popular “Tomb Raider” video game franchise, Lara Croft launched an Indiana Jones-style adventure series which failed to impress critics, but racked up a healthy box office take. The film also marked Jolie’s first adult collaboration with her father, Jon Voight, who played her character's father in the film. Shortly after their on-screen pairing, however, Voight made a series of disparaging comments regarding his daughter’s mental emotional stability (or lack thereof) to the American entertainment newsmagazine “Access Hollywood” (Synd., 1996-).
The actress returned to familiar territory for her comeback screen vehicle, the sequel "Lara Croft Tomb Raider: The Cradle of Life" (2003), a follow-up to a lackluster first outing. Reflecting their off-screen internecine tensions, Voight, did not reprise his role in this second follow-up. “Cradle of Life” was followed by a turn in the too-righteous political/romantic drama "Beyond Borders" (2003). After this came a dangerous foray into Ashley Judd territory with a starring role in the routine thriller "Taking Lives" (2004), in which Jolie played an FBI profiler caught up in dangerous and erotic intrigue. Signing up for another purely commercial vehicle, the actress adopted another rich accent as she played the eyepatch-sporting Captain Frankie Cook, the leader of an all-female amphibious attack squadron, in the retro action-adventure "Sky Captain & the World of Tomorrow" (2004). Cast opposite Jude Law and fellow Oscar-winner, Gwyneth Paltrow, Jolie joined the CGI-laden action-adventure battling giant robots in an Art Deco, 1930s-era environment. Jolie then lent her voice to the finny femme fatale, Lola, in DreamWorks' CGI-animated underwater underworld opus "A Shark’s Tale" (2004). Finally, Jolie ended the year with a bizarrely seductive turn as Alexander's mother, Olympias, who raises her son to believe in his impressive destiny, in Oliver Stone's epic historical bomb, "Alexander the Great.” Jolie's profile rose to even more epic proportions when she co-starred with the equally lovely actor Brad Pitt in the Doug Liman-helmed action-fest "Mr. & Mrs. Smith" (2005). In it, the actors played a bored married couple who are actually rival assassins, each hired to kill the other. Almost from the get-go, rumors abounded of an on-set romance between Jolie and Pitt – innuendo that contributed to Pitt's split from his high-profile marriage to actress Jennifer Aniston. Though both Pitt and Jolie initially refuted the rumors – the two later took a coyer stance after being photographed together numerous times post-Aniston separation. The intense interest in their possible romance propelled “Mr. & Mrs. Smith” to huge box office receipts, thanks in large part to their palpable on-screen chemistry. Needless to say, the "are they or aren't they?" nature of the Jolie-Pitt coupling captivated star watchers and quickly became the most written-about celebrity story of 2005 – even prompting the coining of the term "Brangelina."
In 2001, after the actress made several trips to the war-torn nations of Sierra Leone, Tanzania and Pakistan, Jolie had been appointed Goodwill Ambassador for the United Nations High Commissioner for Refugees. It was during one of these trips that in 2005, she adopted an infant daughter from an Ethiopian orphanage whom she named Zahara. Later that year, surprising the world at large, Pitt petitioned to adopt the two children as his own. A year later, on May 27, 2006, Jolie and Pitt welcomed their biological firstborn child into the world – a daughter named Shiloh Nouvel Jolie-Pitt. Clearly serious about starting a family, in March 2007 – Jolie and Pitt made news once again by adopting a fourth child – a three-year-old boy from Vietnam whom they named Pax. Jolie next starred as Marianne Pearl, the wife of murdered journalist Daniel Pearl, in the gripping drama “A Mighty Heart” (2007). Though Jolie’s casting sparked a furor of controversy among minority groups, as Marianne Pearl was of Afro-Cuban/Dutch ancestry, much of the complaints dissipated upon the film’s release. Unfortunately, the serious film was released during the summer box office season, rendering it lost amidst all the big-budget special effect movies.
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