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| Real Name: Michelle Pfeiffer | ||
| Birthday: Born April 29, 1958 | ||
| Place of Birth: Santa Ana, California | ||
| Sign: Sun in Taurus, Moon in Taurus | ||
| Education:Fountain Valley High School - Fountain Valley, CA (Class of 1976); Golden West College - Huntington Beach, CA | ||
| Relations: David Kelley; ex-husband: Peter Horton; children: Claudia Rose, John Henry | ||
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While fame had certainly been good to her, actress Michelle Pfeiffer rarely went out of her way to revel in her celebrity. Aside from her film and television roles, Pfeiffer had been famously known for remaining aloof and private in person – much like many of the characters she had played on screen, most notably the icy Elvira, mistress to a Cuban drug smuggler (Al Pacino), in the iconic “Scarface” (1983). Even her desire to subvert her timeless, ethereal beauty – mostly off-screen, where she often appeared in public dressed in jeans, T-shirt and baseball cap – failed in the face of twice making People magazine’s “50 Most Beautiful People” list. Luckily for Pfeiffer, she possessed acting talent to match her stunning good looks, giving Oscar-nominated performances in “Dangerous Liaisons” (1988), “The Fabulous Baker Boys” (1989) and “Love Field” (1992). But it was her offbeat turn as Catwoman in “Batman Returns” (1992) that firmly established Pfeiffer, elevating her from a strong supporting actress to bona fide A-list star.
After a couple more small roles on television and in film – notably the police drama “B.A.D. Cats” (ABC, 1980-81) and the teen comedy “Falling in Love Again” (1980) – Pfeiffer began taking her newfound career seriously. Her personal life, however, remained as chaotic as ever. While taking acting classes in Los Angeles, the insecure actress was lured by a seemingly friendly couple that operated a vegetarian cult where, according to Pfeiffer, “[S]ome brainwashing did go on.” She was rescued by fellow actor and classmate Peter Horton, whom she married in 1981. Even decades after her induction in the veggie cult, Pfeiffer refused to elaborate on the details of what happened. Meanwhile, she pursued her career in earnest, landing roles in long-forgotten features like “Charlie Chan and the Curse of the Dragon Queen” (1981) and the ill-advised “Grease 2” (1982). But Pfeiffer’s fortunes turned when she was cast opposite Al Pacino in Brian De Palma’s giddily violent “Scarface,” making a memorable impression as the jaded, cokehead mistress of a Cuban refugee (Pacino)-turned-imperial drug lord. Though not onscreen for very long, Pfeiffer nonetheless made her mark with critics and audiences, giving the still-fledgling actress the opportunity to play bigger and better parts. Pfeiffer continued her upward trajectory in the early-1980s, landing starring roles as a female jewelry smuggler on the lam in “Into the Night” (1985) and as the female lead in a film about the American Revolution that suffers the Hollywood treatment, much to the dismay of the author of the source material (Alan Alda), in “Sweet Liberty” (1986). Her next career milestone turned out to be “The Witches of Eastwick” (1987), a fantastical black comedy about three women (Cher, Susan Sarandon and Pfeiffer) whose friendship is almost torn apart when they are seduced one-by-one by Satan, himself (Jack Nicholson). She next found herself between two lifelong friends – one a supposedly retired drug dealer (Mel Gibson); the other a celebrity cop (Kurt Russell) – in Robert Towne’s underappreciated crime drama, “Tequila Sunrise” (1988). Also that year, Pfeiffer received her first Academy Award nomination for “Dangerous Liaisons,” getting the nod for Best Actress in a Supporting Role for her performance as a highly moral and married woman who is the romantic target of the Vicomte de Valmont (John Malkovich). Around this time, Pfeiffer became separated from husband Peter Horton. They later divorced in 1990.
In “Married to the Mob” (1988), a nearly-unrecognizable Pfeiffer – thanks to her brunette hair and thick New York accent – displayed considerable comic flair as the concerned wife of a mob hit man (Alec Baldwin). She earned considerable praise – not to mention a number of critics’ awards – for her performance as a songstress who helps to prodigious twin pianist brothers (Beau and Jeff Bridges) get back on top in “The Fabulous Baker Boys” (1989). Pfeiffer’s sultry rendition of “Makin’ Whoopie” while rolling around atop a grand piano was more than enough for her to earn a nomination for Best Actress in a Leading Role at the Academy Awards. Starring opposite Pacino once again, Pfeiffer delivered an amiable performance as a frumpy diner waitress with a haunted past who gets involved with an ex-con (Pacino) trying to live the straight life in “Frankie and Johnny” (1991), Garry Marshall’s lighthearted treatment of Terrence McNally’s gritty stage play. In her personal life, Pfeiffer became romantically linked to John Malkovich and Val Kilmer, but ended up in a three-year relationship with actor Fisher Stevens. In 1992, Pfeiffer gave one of her more unusual performances, playing an insulated Texas woman determined to comfort Jacqueline Kennedy after her husband’s assassination, in “Love Field.” The actress earned her third all-time Academy Award nomination and her second for Best Actress in a Leading Role. Also that year, Pfeiffer reached superstardom with her amusingly over-the-top performance as the feline Catwoman in “Batman Returns.” With her relationship with Stevens ending in 1991, Pfeiffer began to feel that maybe her chances for a lifelong partnership – one including children – was becoming an impossibility. So Pfeiffer adopted a biracial baby in 1993, long before the likes of Angelina Jolie and Madonna made it glamorous. Back on screen, Pfeiffer gave a fine turn as a scandalous woman who reacquaints herself with an upper-class gentleman (Daniel Day-Lewis) who is marrying her bland and genteel cousin (Winona Ryder) in Martin Scorsese’s deft adaptation of Edith Wharton’s “The Age of Innocence” (1993). Then on Nov. 13, 1993, Pfeiffer married screenwriter and producer David E. Kelley, and have since lived happily ever after.
Like most established stars wanting to try something new – and earn a nice paycheck – Pfeiffer lent her voice to “The Prince of Egypt” (1998), DreamWorks’ animated take on the life of Moses (Val Kilmer), as told in the Book of Exodus. By this time, Pfeiffer had stepped into the role of producer (her first credit as such being “One Fine Day”) and had formed her own company, Via Rosa Productions. After a turn as Titania in “William Shakespeare’s A Midsummer Night’s Dream” (1999), she starred opposite Bruce Willis in “The Story of Us” (1999), a romantic comedy about a couple with everything who discover that they no longer love each other and wonder if it is enough to save their marriage. Following an emotional turn as a mother trying to re-bond with her abducted son (Ryan Merriman) in “The Deep End of the Ocean” (1999), she played the beautiful wife of a genetic scientist (Harrison Ford) finally getting over his past extramarital affair, only to be haunted – literally – by his mistakes anew in Robert Zemeckis’ taut thriller, “What Lies Beneath” (2000).
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Born on Apr. 29, 1958 in Santa Ana, CA, Pfeiffer was raised by her
demanding father, Richard, a heating-and-air conditioning contractor, and
her mother, Donna, a homemaker. Pfeiffer often described herself as being
“out of control” in her youth, wrecking her first car (a ’65 Mustang),
skipping classes from Fountain Valley High School (though she maintained a
solid B average) to hang out with surfers at Huntington Beach, and failing
at bagging groceries for a local supermarket. After high school, Pfeiffer
studied to be a courtroom stenographer and entered a beauty pageant,
emerging as Miss Orange County in 1978. As a result, she landed a bit part
on the hit 1970s show, “Fantasy Island” (ABC, 1977-1984), then at
20-years-old, she landed her first regular series role, playing a buxom
college undergrad named Bombshell in the short-lived “Animal House”
rip-off, “Delta House” (ABC, 1978-79). Without really trying, Pfeiffer
had launched her acting career.
Back on the big screen, Pfeiffer was opposite Nicholson again in the
bizarrely comic-horror flick, “Wolf” (1994), playing the daughter of a
publishing firm executive (Christopher Plummer) who strikes up a
relationship with a fired book editor (Nicholson) bitten by a wolf and
transformed into a supernatural creature. She was unconvincing as an
ex-Marine-turned-inner-city schoolteacher in “Dangerous Minds” (1995),
then starred as the titular character in “To Gillian On Her 37th
Birthday” (1996), a misty tale written by husband David E. Kelley about a
mourning husband (Peter Gallagher) still coping with the death of his wife
(Pfeiffer) despite the damage being done to his relationship with his
teenage daughter (Claire Danes). Pfeiffer spent the remainder of the 1990s
out of the limelight, even declaring in the latter part of the decade that
she would take a break from acting. In “One Fine Day” (1996), she was a
career-minded single mom who falls in love with a hard-driving newspaper
columnist (George Clooney); then in “A Thousand Acres” (1997), based on
Jane Smiley’s update of King Lear, Pfeiffer played Rose, one of
three sisters sexually abused by their farmer father (Jason Robards).
Though she continued acting once the 1990s segued into the new century,
Pfeiffer’s output decreased significantly, appearing in only a handful of
films in seven years. She gave perhaps her best performance in years in “I
Am Sam” (2002), playing an obsessive, hard-driving attorney who takes the
pro bono case of a mentally-challenged father (Sean Penn) fighting to retain
custody of his seven year-old daughter (Dakota Fanning). For “White
Oleander” (2002), Pfeiffer was nominated for Best Supporting Actress by
the Screen Actor’s Guild for her performance as an artist mother sent to
prison for murder. After trying her hand again with animation in “Sinbad:
Legend of the Seven Seas” (2003), Pfeiffer took four years off from
filmmaking, returning in 2007 with “Hairspray,” the fun and
light-hearted adaptation of the Tony Award-winning play – itself an
adaptation of John Waters’ 1988 feature. Pfeiffer played a diabolical
television station manager out to squash the dreams of a plus-sized dancer
(Nicole Blonsky) with big hair and a bigger heart.